A big welcome to Isaac Grisham as part of his book blast with Gay Book Promotions for The King’s Sun from Cooper Blue Books.
Book Title: The King’s Sun (The Brass Machine #1)
Author: Isaac Grisham
Publisher: Cooper Blue Books, LLC
Cover Artist: Dissect Designs
Genre/s: Fantasy and LGBT
Length: 95,000 words/298 pages
Prince Kitsune trained all his life to become a leader in the king’s wars for supremacy, but the fearsome monarch dashes those dreams and banishes his devoted son. Not all is lost—to reclaim his birthright, Kitsune must kill the son of his father’s rival. A son possessed by fiery magic.
Outside of the capital walls for the first time, Kitsune struggles to survive accursed wilderness and political intrigue while executing his mission. He meets the enigmatic, dark-haired Myobu and discovers magical Yokai spirits, dark family secrets, and strange new feelings for his companion.
As the two men forge a path through the region, an unrealized and dangerous magic blossoms within Kitsune. It is the mysterious power of the Yokai spirits, capable of unspeakable destruction, and it grows stronger with each passing day. Could he use this gift to slay his target, or would it destroy all that he loves?
Prince Kitsune is banished from his homeland. To reclaim his birthright, he must kill the son of his father’s rival. A son possessed by fiery magic. While executing his mission, he meetings dark-haired Myobu and discovers magical Yokai spirits, dark family secrets, and strange new feelings for his companion.
Inari Palace had been the center of the Kitsunetsuki Kingdom for well over nine centuries. If its people had always regarded it to represent a place to fear, Prince Kitsune could not tell. What he did know for certain was that his father, King Oni, was a powerful man who deserved the fear and respect given unto him.
Kitsune shared in the people’s reverence of King Oni of the Asher lineage. It was said that Oni’s father had fallen in love with and married one of the beautiful Yokai spirits that purportedly inhabited the land around Inari Palace. While Kitsune was doubtful that such spirits existed, he knew the mythology of his people’s religious beliefs. The offspring of such a pairing tended to manifest heightened intelligence and magical abilities that increased in complexity with age. The motives of such individuals were a mystery, and their agendas were unlike those of ordinary people. This allegedly stemmed from a lack of human morals.
No one had ever witnessed King Oni displaying acts of magic, but his wisdom and cleverness were renowned beyond the borders of Kitsunetsuki, as were his skills in war and battle. With his combined talents, two successful military campaigns had already been waged under his reign, resulting in the conquering of the Mogo Empire to the south and the Ruio Territory to the northeast. A third campaign was rumored to be launched within the next sun cycle. It was Kitsune’s greatest desire to fight alongside his father this time around.
Whether it was from the constant state of warfare or the demands of ruling the vast and expanding domain, King Oni was a man rarely seen by even his closest advisors. As a child, Kitsune looked forward to his birthdays not for the presents, but rather because they were the rare days his father would most certainly present himself—assuming he was not leading the military elsewhere. As he matured, Kitsune saw the king less and less often. Now he only knew his father existed from the messages, requests, and gifts sent via servants.
Such remoteness did not temper Kitsune’s admiration of his father. It only solidified his notion that the numerous obligations of running the kingdom could only be handled by a man as judicious and dutiful as the king. Understanding that such responsibilities demanded considerable time, Kitsune willingly accepted his position in his father’s life. Though they both resided within the palace, it had been well over a sun cycle since they’d seen each other face to face.
This was why it came as such a surprise when Kitsune was awoken late one morning by a servant knocking on his chamber doors with a simple message: King Oni demands your presence immediately.
About the Author
Ever since his elementary school librarian made his short story about a sick dog available for checkout, Isaac had wanted to be a writer. A lot of words had been put to paper since then, including tales about dinosaurs, space travels, and the afterlife. The King’s Sun, the first part of The Brass Machine, is his first published work.
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